Is there any difference in sound quality between FLAC and say a 320kbps mp3? If not, why should I be using FLAC?
> call him a samefag
> contribute nothing
/g/ saves the day
use flac when you want to backup your cds to digital format, use 320kb/s for your portable or casual listening, you probably won't be able to hear the difference unless you're an "audiophile" autist.
FLAC is lossless and therefore can withstand those tough years on you HDD. In terms of audio quality there is a difference for those who have dedicated audio equipment but for the everyday listener such as YOU and I there wont be any noticeable difference.
> FLAC can be transcoded into any other codec, while 320kbps can not
why would you ever have to transcode anyway?
mp3 is ubiquitous and it's not like you have to re-encode and compress the file every time you transfer it to a device.
Flac encoded files are completely lossless meaning no sound quality is lost during the encoding.
320kbps mp3's are lossy and running at 320 kilobytes per second. Lossy basicsally means it's almost lossless but not fully.
Honestly if you can't tell the difference between either codecs you may as well just listen to mp3, It'll be more convenient for you. I prefer listening to Flac files simply for the clarity, but I do listen to mp3's when I can't find a Flac torrent with good seeds.
It's only worth using FLAC if you have the equipment to take advantage of it. If you're using cheap speakers or headphones you won't notice a difference.
With good audio hardware the difference is very minimal (but it's there), and since storage space and download times aren't an object for me I just download everything in a lossless format.
I should have known from the moment I saw you using "muh" in your argument that your post will be nothing but retardation and wrong facts.
What do headphones and frequency cuts have to do with losing audio quality while encoding to the lossy MP3 format? Do you think MP3 works just by cutting of everything above a certain frequency?
FLAC is only nice if you have the equipment needed to hear the difference. If you're just going to be using a standard, stock 3.5 mm jack in your PC, the difference is barely noticeable, if at all. If you're gonna listen to it on your phone, there really is no point unless it has a high end DAC.
to;dr: you have to have spent a fuck load of money in equipment to enjoy FLAC. Or you can delude yourself into thinking you're getting better quality out of it. [SPOILER]Like me.[/SPOILER]
>If you're just going to be using a standard, stock 3.5 mm jack in your PC, the difference is barely noticeable, if at all.
jack size has no influence on sound quality
please don't post if you don't know what you're talking about
No, I know jack size has no effect on quality, but I was talking about the actual component driving the audio, i.e. a shitty built in audio chip. Compared to an actual audio card, it's gonna make the sound utter shit.
If you listen to it in a car or on regular headphones or cheap stereos - no
You need to spend a lot of money on speakers/amplifier to notice the difference. If you afford that, you can afford the storage for it.
>Compared to an actual audio card, it's gonna make the sound utter shit.
No, it won't. Stop believing the audiophile placebo stories.
>stop believing placebo stories
Well, I've experienced the "placebo" myself.
But, fair enough. I can't argue with objective tests done by professionals, and at the end of the day, FLAC (and high end equipment) is just personal preference, even if it is heavily placebo influenced.
Archival, better for editing, will be good to have once a better lossy codec e.g. Vorbis becomes more mainstream
Not really meant for improved listening, but hey, if you have it available to listen to, why the hell not
In the late 1990s it became feasible to make portable, solid-state digital audio players. Most support the patented MP3 codec, but not all. Some support the patent-free audio codecs Ogg Vorbis and FLAC, and may not even support MP3-encoded files at all, precisely to avoid these patents. To call such players “MP3 players” is not only confusing, it also privileges the MP3 that we ought to reject. We suggest the terms “digital audio player,” or simply “audio player” if context permits.
90% of the time, no. You can hear some minor differences if you know what you're listening for but I can only hear them on my monitors, a couple of open back hifi headphones and Shure SE535's, even then, it's not really a problem.
I usually use FLAC for archiving and home listening but, as I don't really have that many songs in my library (it's 80GB but the stuff I listen to regularly is only around 40GB), it makes no sense to compress it for my portable players. The other advantage of FLAC is that it's easier to search for than 320kbs mp3s.
>not listening to music with a higher bitrate than the average total for a YIFY encode.
Forgive my ignorance, what player is that? Do you mean an iPhone 5? Personally, I just use a Clip+ because I don't want to risk my phone in an outside pocket if it rains or I crash the motorcycle.
He, OP. Let me clarify this for you.
Hearing the difference now isn't the reason to encode to FLAC. FLAC uses lossless compression, while MP3 is 'lossy'. What this means is that for each year the MP3 sits on your hard drive, it will lose roughly 12kbps, assuming you have SATA - it's about 15kbps on IDE, but only 7kbps on SCSI, due to rotational velocidensity. You don't want to know how much worse it is on CD-ROM or other optical media.
I started collecting MP3s in about 2001, and if I try to play any of the tracks I downloaded back then, even the stuff I grabbed at 320kbps, they just sound like crap. The bass is terrible, the midrange…well don’t get me started. Some of those albums have degraded down to 32 or even 16kbps. FLAC rips from the same period still sound great, even if they weren’t stored correctly, in a cool, dry place. Seriously, stick to FLAC, you may not be able to hear the difference now, but in a year or two, you’ll be glad you did.
In some uncommon signals it is noticeable, but you need good stereo speakers and subwoofwoofer and good soundcard which can output that 192kbps flac. Sometimes you can notice difference in low freq, but the hi freq is more noticeable.
Sometimes the MP3 is so ducked up, that even with 320kbps anything over 16khz is ripped off, as you can see in spectrum analyzer with player.
yeah but how do I know the mobile version won't suck absolute dick?
oh well, I'm planning on getting the LG G3 as soon as it drops anyway, just need to know what music apps on it support gapless MP3
nah dbpoweramp realized how shittily they were doing and basically saved their ass. going forward they will match any donation made. they also retroactively matched which brought the total up to like 77k. So it might actually happen.
Because the desktop version is really good so the mobile probably will be too? Anyway I use poweramp. It has full gapless mp3 playback. really good player.
The MP3 format is patent\copyright heavy from the Fraunhofer Society and isn't supported on Linux. Unless you download the extra codec packs from necessary to run it.
FLAC has the "free" in its name because it's an open format and royalty-free while being licensed under GNU, GPL, and BSD.
Get FLAC today and use it. Spread the word.
Watch and cry as I convert your precious free, lossless audio format in a locked down, apple-only aiff.
Apple actually made the specification of their own lossless format public not too long ago and I think there's at least one non-apple music player that has implemented support for it.
>In b4 the usual complaint about DRM on music in iTunes when they got rid of DRM back in 2006
You import them from CDs as flac files when you use a decent ripping software, or occasionally while buying music directly from the artist/producer they provide flac files instead of mp3s.
Use a non-shitty player (so no iTunes/Windows Media Player) like foobar2000
FLACs generally come from CD/vinyl rips and you typically have to torrent them
There's Bandcamp as well, though, they distribute in FLAC as well as other formats
Both ok, alac is supposedly better for iOS devices as it's better for battery usage, but generally aiff is more useful for me as I only ever run lossless of my mac and it's better for using in Final Cut projects etc.
Flac is a storage format. If you don't want to archive your music or plan on transcoding it at a later date, there is no reason for you to use it. Hell, even 256kbps mp3 is great for listening.
The question isn't "why should I use flac?". There is no question you should use flac. For archival anyway. Only a moron carries flac around on their mobile devices. You use your flacs as a base to encode from so you always have a clean copy.
this. FLAC is lossless but for how mp3s of good quality sound like the only thing different are some echoes and panning of instruments that if you don't hear carefully you wouldn't notice anyways, so yes, use flac only for archival purposes because they are ridiculously heavy, in some songs they do form a significant difference but those cases are rare
yes, i have flacs in my laptop because i can't fancy in having an exclusive drive for them and sonce i hear music a lot of the time i really don't see the trouble, not for the lossless qualitiy but just because i have them already there
Alright, so I ripped a couple of tracks from a CD, picked the "uncompressed" option. They are saved as .wav files, are about 40mb and have a bitrate of 1411 kb/s.
Did I do good?
I was doing ABX testing on 96Kbps opus and the source audio and I had a hard enough time picking out which was which.
I have a pair of DT-880s and a Fiio E07k, so it's not as if it's an awful setup.
In before claims of me being deaf.
I can't, I'm at work and all I have are my laptop speakers. By the time I get home this thread will probably be dead.
When a lossless source is transcoded to mp3, part of the information is lost (that's why mp3 is lossy compression), but the mp3s will be significantly smaller than the original file. If you were to convert mp3s to flac, the flacs would have the exact same audio as the mp3s (although at larger file sizes), but not the same as the original files, since that information was lost when you converted the original files to mp3s.
Not him, but the one with the higher bitrate sounded better (I didn't check the file sizes before making up my mind). You should also have a 320 kbps mp3 for control.
>You should also have a 320 kbps mp3 for control.
The control should ALWAYS be source audio.
thanks for answering but my original question was if it would prevent the loss of quality over time
i have some mp3 files that are not available anywhere in flac or any other source audio and im worried that theyll be complete crap in a few years. will converting them to flac prevetn them loosing quality over time?
Oh, man, are you serious? That "mp3s degrade at a rate of 12kbps/year" is just a /g/ copypasta. If the files on your HDD get damaged then it's time to backup (if you didn't already), and buy a new HDD, because it's about to fail. Also, no format could protect your files from a faulty HDD.
Actually, let me add, in case it's not clear enough: archival of the ORIGINAL data. CD rips and such. You should use the original source if you want to convert to lossy.
Transcoding from lossy to lossless to lossy is the same as converting from lossy to lossy and a bad idea.
My Opus shill thread died so I'm gonna repost the spectrograms from it.
Here I have the source audio.
Now of course, the rather aggressive cutting of higher frequencies is made more apparent when we drop MP3 to V2.
In contrast, even at 128kbps, Opus has a clean cutoff at 20KHz, retaining much more similarity to the source audio despite a much lower bitrate.
Numerous tests have shown the threshold of audibility of mp3 artifacts is around 192 kbps.
That being said, .opus is the alpha lossy codec right now because it reproduces 20 Hz - 20 kHz, the entire human hearing range. 128 kbps (and possibly lower) opus is indistinguishable from lossless.
>not having your PMP filled with lossless-sourced .opus
...actually, analog signals are susceptible to interference, so that anon has a point; if you were using a digital signal like USB or toslink, you'd be more apt to hear any differences.
Analog is susceptible to interference but the size of the jack is not going to make any audible difference.
Also headphones/speakers which use USB tend to have more issues with interference than normal headphones due to shitty electronics and DACs.
>the size of the jack
you're missing the point
>headphones/speakers which use USB
The ODAC uses USB and there's a reason for that. Digital signals are superior to analog signals. This is especially true when you're talking about the average computer, which generates quite a lot of signal noise. Remember that most fans function using electromagnets-- not good for analog signals.