>>2248248 >but still, if you know how to draw well (and he already drew things sequentially), i don't think animation is too much of a leap. animation and drawing while although somewhat related aren't as easy as you might think. there's entire principles and shit that you don't really consider when you're drawing not for animation.
>>2248917 Not him, but here's some personal experiences foreigners had with working in Japanese companies: http://en.rocketnews24.com/2013/08/26/five-things-that-keep-japanese-people-chained-to-their-jobs/
There are better sources that explain it more thoroughly (also cases where workers can only leave when their boss leaves), but I don't know what kind of keywords I have to use to find those entries again. They aren't completely unproductive, just that their workload drags out some additional hours so the workers can look better to their managers and bosses.
Because he mastered the form of drafting by creating multiple mangas in his 20's. By the time he was starting to transition to animation, he had already mastered composition and everything needed for storyboarding because he had already almost completed the Akira manga.
He didn't animate at all dude, he storyboarded and did all the layouts. When you are essentially a master of comics, of course you can layout an animated film.
He was already 8 years into making mangas when he started Akira in 1982. He was 34 when he directed Akira...
Op is absolute talking out his ass, it's not Japanese standard or natural talent. He worked himself and took the initiative progress steadily in his artform of choice. A big breakthrough he had was finding influence in Moebius's work...
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