>The screams at 0:42 on Hey Light
welp, guess i gotta do this again:
Spirit They're Gone: 9/10
Campfire Songs: 8/10
Sung Tongs: 9/10
Strawberry Jam: 10/10
Centipede Hz: 10/10
This is the objectively correct AnCo ranking, anyone who disagrees is not worth my time.
SPIIIIIIIIIIDER AND IIIIIIIIIIIIIIII
KEEP WATHCING THE SKYYYYYYYY
3: 58 onwards on No Way
>Neighborhood #1 (Tunnels)
>WHATEVER HAPPENED TO THEM
damn, my back is freezing evry time
Not as much as thinking that CHz isn't a masterpiece. That is truly the most ebin meem of all.
It's one thing if this was still 2012 and we were all pretending that shitfork had any critical credibility left, but now, if that's your ACTUAL opinion, that's just sad.
Campfire songs: 8.5/10
Sung Tongs: 8.5/10
Strawberry Jam: 8/10
Centipede HZ: 7.5/10
Sung Tongs would easily be 10/10 if they had included their versions of Prospect Hummer
Strawberry Jam would've been much better if Chores and Winter Wonderland didn't exist
Henry Cow - War (1975)
>The guy at the beginning saying "Tell of the birth, tell how war appeared on earth" followed by the strong voice of Dagmar Krause
Great intro 9/10 (that's a lot for an intro)
>the members of the group making an ascendant and descendant scale with their voices
It sounds awkward at first, but when you get used to it it's pretty good 9/10
>piano chords repeated in crescendo
It creates a lot of tension 9/10
>then repeat the first part, but now with reversed drums
That moment is just magical 10/10
>when she says "split an egg and war was born", suddenly followed by a very intense and screeching noise solo, like if War suddenly appeared on Earth
Best thing ever 11/10
>after the solo is done, the ringing telephones combined with an amazing saxophone solo.
This gives me very intense chills 11/10
>Saxophone solo #2 with background noises that sounds like screaming souls
After you thought that the screeching noise solo was the best thing ever, this part comes in making you lose your shit 12/10
>She screaming "People get what they deserve"
>voice scale thing again
This time it's more powerful than the first 10/10
>"Violence completes the partial mind!"
Even better than before! 12/10
>piano chords repeated in crescendo again, but even more powerful and with background noise
This is amazing 10/10
>after it's done, a final screeching noise to end the song
Wow, what a great song! 10/10 ending
Best Song Ever
>GOTTA REARANGE THE STARS SO THAT THEY'RE SO FAR FROM YOU
>THE COLD AINT SO COLD WHEN YOU HOLD YOURSELF TO ME
>he's on the corner with a broken can opener-er-er-er
>it's all the same shit but we call it cloud dead I've only got two hands and half a head
>even though I haven't seen you in yeeeeears, yours is the funeral I'd fly to from anywhere
>IN BERLIN I SAW, TWO MEN FUCK IN A DARK CORNER OF A BASKETBALL COURT
>Youuuuu fuuuaackkk like a, raceeee hooooorrrssee.
>intro to Avalanches.
>If I could just leave my body for a night
>ARE YOU ALSO FRIGHTEEEEENED?
>when the sun goes down we'll go out again
>JUST AAAAAAAAAAA SECCCCCCC MOOOOOOOOOOOOORE
>transition from guys eyes to taste
>harmonies in NMR
>the entire middle part of brosport
Its like other albums aren't even trying
>APRIL NO IT'S JUST A SPIRIT
>You leave my boy ALONE
>EVERYBODY CAME DOWN JUST TO SEE ME LEAVING
>Can you hear me troubadour?
1:16 into brian the vampire. Gives me chills everytime
The kung-fu-movie part in cistern
Whole song basically.
>The solo on Drive Home
>The solo on Watchmaker
>The shredding at the end of the title track
>riff jumpscares throughout the whole album
I'm still scared about those screamer guitar riffs.
Where the drum/bass come in during the last track
This song teleports me to another dimension I swear to god, it's so atmospheric.
>I taught myself to survive a 4 story fall
>wearing a spacesuit and a dead englishmen's socks
>It's a textbook procedure kid
>Right out of the pages of the hollowed out book
>Where once I hid my paint speckled glasses
>Don't lose your shoes over such a simple step as hitting ground
>Just remember to roll
>Just remember to roooooooooll
>the eskimos never existed
also the moment when the guitars fade out and only the horns remain, sometimes i don't even notice it until i realize the guitars haven't been there for a couple of minutes
>when the guitars kick in in big church
>Climbing up the waaaaalllllss
>we promised the world we'd tame it
>what were we hoping for
Half of the album is made of 11/10 and 10/10 moments, but there are parts where it does nothing for me. It's inconsistent for my taste, but someone who appreciates atmosphere might like it a lot more. So, amazing, but inconsistent, personally.
The little bit that repeats a few times at 1:22 on Perlence Losid 2
>Insight foresight moresight
>(Slow down) The clock on the wall reads a quarter past midnight
>but where do we keep them?
>put em here, by the steps
>while i climb to the top
>and i find where i am
my god damn ass when
>when the drums hit on Apt. A (1)
>ARE YOU SCARED THE ALBUM WILL END BEFORE THE DOORBELL RINGS
>AND YOU'LL BE LEFT TO GREET YOUR GUESTS
>WITH A TIED TONGUE, A COLD LUNCH, AND A SPENT WICK CANDLE?
>"WOOOOOOOOOOOOOOOOOOOOOOOOOOOW!!!!!!!!!" SAID THE BROKEN CALIFORNIAN NOWWWWWWWWW!!!!!!
>that fucking laugh in the middle of Up My Sleeves
>that ending to Two-Headed Boy Pt. Two
>Jeff gets out of his chair leaving you emotionally exausted
>[analog delay self oscillating]
>DUN-DUN DUN-DUN DUN-DUN DUN-DUN DUN-DUN
In sad pony guerrilla girl when it goes right from the noisy part back into the chorus
>dont worry mom
>HE SAID IT DID NOT COST ME ANYTHING..........................blewwwwbbbb boo boop.....
>Strings follow shortly
The entirety of Drown With Me. Something about the mixing on that song - the loud bass dragging along clean guitar chords - gives it so much impact, especially compared with the rest of the rather lacklustre album.
The drums and erratic electronic noises in combination with the guitar strums in the last 3 minutes of Tim And Dan, Reunited by Fate
>I'M SENDING FINGERNAILS
>AND LOCKS OF HAAAAIIRRRR
>I'M FALLING SKY
>I AM SCREAMING AIR
>OH BE AT PEACE AS I BREAK INTO PIECES FOR YOU
>THE END OF ME
>A FIERY BLOSSOM FOR YOOOOUUUU
I never see this album posted on here but its fucking great
The instrumental passage on Ashes Eidolon starting around 7:00
The entire album actually. all of it is fucking amazing
>j.s i am kidding
>i'm JUST KIDDING
>I BE TOSSING AND FLOSSING MY STYLE IS AWESOME
>I'm CAUSING MORE FAMILY FEUDS THAN RICHARD DAWSON
>AND THE SURVEY SAID, YOU'RE DEAD
>FATAL FLYING GUILLOTINE CHOPS OFF YOUR FUCKING HEAD
The riff kicking in at 5:40 in Hail.
Seriously, I double dare you not to headbang to it.
>The ending to What You Want
>When the instrumental part of Kettering cuts back to just being the piano.
>With the bite of the teeth of that ring on your finger, I'm bound to your bedside your eulogy singer.
>Too cold to care and too sick to shout.
>Pretty much the whole of Epilogue, but especially the last chorus.
>EVERY THOUSAAAAND YEAAAAARS
>AND YOU BETTEEEEER NOT BEEEE ANGRYYYY
>AND YOU BETTEEEEER NOT BE SAAAAD
>YOU BETTER JUST ENJOY THE LUXURY OF SYMPATHYYY
>IF THAT'S A LUXURY YOU HAAAAAAVE
That whole fucking track honestly
>the gentle pleasant rhythm of the guitars contrasting with the despair of Bankrupt on Selling right beforehand
>the way his voice cracks on "polishing haloooos"
>anytime anyone gets on their KNEES TO PRAY, WELL IT MAKES MY TELEPHONE RING and I'll be damned
>IT'S ALL NICE, IT'S ALL NICE ON ICE ALL RIGHT
Oh god and this too
Man I love 90's melancholy alt-rock
>I woke up hungover on a hardwood floor
>from a dream about how your dress
>hangs off of your little breasts
>I'D RATHER BE DEAD THAN CALL THIS SONG "HOW I LOST YOUR RESPECT"
yoni's lyrics are so odd for what's underlying them.
>WE'RE MOSTLY RUNTS AND TOO HIGH-STRUNG
>IN NATURE MOTHER EATS THE YOUNG
O PORCUPINE, LOW IN YOUR TREE, YOUR EYES TO MINE
"YOU'D BE WELL INCLINED NOT TO MESS WITH ME!"
>HANDLE ME WRONG I'M SNAPPIN'
>SHOW UP AT YOUR CLASS, WHAT'S HAPPENIN'?
>SCHOOLYARD BULLY WITH A FULLY AUTOMATIC
>HEART FULL OF PAIN AND A HEAD FULL OF HAVOC
>AND ALLLLLLLLWAAAAAYYS SOMEEEETHINGG REMIIIIIIINDS ME
no he doesn't he sounds like a fucking douchebag bigot whose more likely than not just projecting his own closeted faggotry
i mean why else would someone run around calling people 'faggots' for no other reason than that he himself is a faggot. daft bastard
>I THINK I'LL LEAVE THIS PLACE NOW
>I THOUGHT OUR MOUTHS WOULD MEET
>OR AT THE VERY LEAST OUR EYES
>the opening of Only Shallow
>the entirety of Blown A Wish
>The outro of Chocolate Girl
>My singing voice is gone
>My singing voice is gone
>My singing voice is-
And pretty much every moment on this album that has already been mentioned in this thread.
>anywhere I lay my head
>when the horns come in
I won't let you down. no i won't, no i won't, no i won't, no i won't.
when all you want to be is in a dream.....a dream
I don't care what anyone says I'll always love this album (shame all their other albums are ass)
>A song for the sad ones, who say they'll marry they guess
>IF SHE'S WEARING A WHITE DRESS
>IF HE BEHAVES HIS VERY BEST
>MAAAKE MEEE YOOOOOOUNG
>and it haaaasn't
You got it. Such a great track.
>YOUR MOUTH IS HIDING, YOU'VE GOT JOYLESS EYES
>STAY WITH ME, DON'T WANT TO BE...ALONE
>BELOOOOOOOOW THE SAAAAAALT MEAAAAAANS LESS
>THAN SOOOOOMETHING ELSE I SAID
>NOOOOOOOOOO! IS THAT MY CADAVERRRR?! THIS. CAN'T BE OVER, TAKE ME HOOOME.
>I think I fucked your girl friend once
DUN DUN DUN DUUUUN
>Maybe twice I don't remember
DUN DUN DUN DUUUUN
>Then I fucked all your friends girlfriends
>Now they hate you
>JUST A BAD PENNNAAAAAAYY
The vocals on "Hiding But Nobody Missed You."
>I'm just watching the night fade away
>Fade away, just like you...
> I never loved anything until I loved you.
> I BE THAT NO GOOD PIMP TYPE
> PUNCH YOU IN YOUR WINDPIPE
> Limousine 1:48
This signal interrupts,
Baby's frequency's not strong enough.
Remade my hands and smile.
We will miss you but in time you'll get set up,
We will write
> For years now, there's been nothing but the static on the radio.
I can't handle these Springsteen feels.
>that shift near the end of 3's & 7's
>That transition at 1:52
>the percussion on Fear of the Unknown and the Blazing Sun
>when Red Horse starts for the first time
>When the guitar segues into Eden at the end of The Rainbow
>Guitar bridge accompanied by cymbals and piano in Eden
>All of Desire, especially the drum and guitar solo
>The "Nature son" verse in Inheritance
>The entrance of all the instruments the "crippled world" verse in I Believe In You (also, the choir)
>The electric piano run through a Leslie speaker at the end of Wealth
Spirit of Eden is god-tier.
>the part after the "Sometimes in the dead of the night" line when the blast beat kicks back in, then that fucking harmonious guitar riff
all of my black jizz
>See Flips at Red Rocks
>Far enough back to look over the stage onto the plains below
>Fireworks off in the distance at this moment
>My rock-hard nips when
>The tops of buildings I can seeeeeee them too.
>The drums at the beginning of Campus.
>The end of Walcott. DONT YOU WANNA GET OUT OF CAPE COD OUT OF CAPE COD TONIGHT.
Pretty much all of Let's Not Shit Ourselves
i can always come back to this song and rarely get tired of it
>The ghosts in the eyes of all the boys you sent away
>They haunt this dusty beach road in the skeleton frames of burned out Chevrolets
>They scream your name at night in the street
>Your graduation gown lies in rags at their feet
>And in the lonely cool before dawn
>You hear their engines roaring on
>When you get to the porch they're gone on the wind
>So Mary, climb in
>It's a town full of losers
>I'M PULLING OUTTA HERE TO WIIIIIN
>Remember all the movies Terry, we'd go see
>Tryna learn how to walk like the heroes we thought we had be
>After all this time to find we're just like all the rest
>Stranded in the park and forced to confess
>To hiding on the backstreets
>Hiding on the backstreets
>We swore forever friends
>On them backstreets until the end
not to mention
>the last 1:30 minutes of "Born to Run"
>no shit right