>>55084835 Fellini's I believe is the idea that his plots go around the central idea without passing through it, much like Bergman will circle on something like sex or death the entire movie without directly digging in. you can compare it to Herzog, who does documentaries.
Lynch fucks off, goes non-euclidean and comes back somewhere else only to go in a different direction.
>>55085645 Im not familiar with this director or his work but ive seen abstract films and skipping through quick ya I formed my own ideas though most likely misinformed since im not properly watching it straight through
I only know of a few names on there like Tarintino, Lynch and Hitcock. I know Warhol did paintings but I don't know he made movies. The other names sound really obscure (the guy who directed Miami Vice? really?) so I don't know what they're doing next to those names.
I'm thinking this is just a troll thing where people are supposed to talk about the deep meaning even though it has a fucking nazi symbol and a question mark in it.
I like the idea, but I'm not convinced the picture makes sense. It reminds me of that chart that sorted albums into categories like "greasy", "bouncy", "cold", etc — it's just too vague, abstruse and open to interpretation to not smell like bullshit.
Or maybe I just don't know enough about cinema.
>>55085242 >>55085648 Stephen Malinowski does some nice, simple visualizations: https://www.youtube.com/watch?v=NmG4LaRoF88 https://www.youtube.com/watch?v=eQq_c9GK5-I
György Ligeti’s Artikulation is another well-known graphic score: https://www.youtube.com/watch?v=71hNl_skTZQ
Xenakis has actually used a machine for translating drawings into sound: https://www.youtube.com/watch?v=7_Gu0qDAys0 https://www.youtube.com/watch?v=yztoaNakKok (this one really sounds "too deep for me") Coil too with the ANS, though the results weren't that interesting.
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